A great deal has been written about the art of running, a healing activity with ability for emotional liberation. In the realm of competitive games, yet, the stress of contests can make people lose sight of this fundamental aim. Reimagined from the eponymous manga, Kenji Iwaisawa’s enthralling anime looks beyond trophies and medals to investigate the core impetus that spurs an competitor’s aspiration.
The 100-Meter Film chronicles Togashi and Komiya, youth companions whose career trajectories diverge when they enter elite competition. Previously the fastest grade-schooler in Japan, Togashi helps the less self-assured Komiya with the basics. As the twosome move through their teens and their 20s, Komiya steadily accelerates up the standings of elite competitors, while Togashi is stuck in a slump; both battle anxieties and insecurities. Spanning more than 15 years, the narrative documents their internal hurdles, revealing the struggles of an athlete’s life, caught in a loop of media attention, result pressures and commercial obligations.
Maybe it’s down to the source material, but the movie’s approach to these intricate issues is a bit simplistic; frequently, a lead’s mental struggles simply disappear after a extended discussion with a fellow athlete or mentor. But what the film is deficient in plot refinement and tempo, it makes up for in stunning imagery. Utilizing trace-over animation, in which drawn art is traced over live-action footage, the film generates stunningly detailed dash moments. The athletic effort of a race is visibly evident, and the pain and the joy of contests are imprinted on the athletes’ physiques.
One particularly momentous race concludes in the downpour, with cascades of grey strokes that overwhelm the frame. Beyond spoken words, these displays of stylistic brilliance embody the near-transcendent euphoria the animation aims to inspire.
The Sprint Film is in UK cinemas from 16 November.